MOVIE REVIEW: Carrie
A modernized retelling of Carrie, with some serious changes in store. Plus, less gore, fewer scares, but Billy is finally the psycho we deserve.
A modernized retelling of Carrie, with some serious changes in store. Plus, less gore, fewer scares, but Billy is finally the psycho we deserve.
There’s a new telekinetic girl in town, and she has no control over her power. Plus, the jocks play a vile game, Sue is still making things worse, and no one bothered to clear the rubble of the school Carrie burned down 20 years ago.
Carrie’s blood-soaked rampage makes her an instant icon. Plus, the town is spared, Spacek soars, and Travolta neuters Billy.
The Sullys are forced to learn the way of water. Plus, a psycho is resurrected, the whales produce secret brain serum, and Lo’ak can’t get out of his own way,
We head to glitzy, technicolor 1918 to see Pearl’s psychotic break. Plus, between a seedy projectionist, an absent husband, and a lonesome scarecrow—all Pearl wants is to be loved.
Max is back with a new actor but the same dead eyes. Plus, Furiosa goes rogue, Joe conserves water, and a War Boy is the surprising heart of the movie.
Two men enter, one man leaves. Two men enter, one man leaves. Two men enter, one man leaves. Plus, why oh why do we ever leave Bartertown?
Max is back, with deader eyes than ever. Plus, assless chaps, the Feral Kid, and Lord Humungus seems like a reasonable man.
“Good Cop Max” and “Family Man Max” stick around for a long time before we meet “Mad Max.” Plus, Toecutter terrorizes, Goose burns, and society slowly collapses.